In her research, Esther Sloots, has beensearching for the clash, the colour, materials, usage of light, to ‘catch’ acertain consistent “dream-fantasy”. locations can be suggested for example bybringing multiple layers, depths, leaving out opportunities and shifting in the construction. The space has to be on time, as it were, unfolded in a livingorgan. Pillars crumble, clouds discolour and mirrors appear to belaughing/magic mirrors.
A game of mirrors, the repetition ofmaterials and elements but also wrongly scaled elements provokes the outrage ofthe viewer.
The direction behaves tarted and raw against the individuals that tend to be vulnerable. This has been used in lightand sound and connected with the music by MY FAIR LADY. In this adaptation, theplay is modern and unconventional staged because not time is the main aspect but the scrupulous relations between people, the characters. Esther Slootstries to show in costume and image the accompanying insanity in this play that stimulated the transformation.